Rāmere 5 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāhoroi 6 Hōngongoi 2024
9.30a.m.-2.30p.m.
Rāhina 8 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rātū 9 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāapa 10 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāpare 11 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāmere 12 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāhoroi 13 Hōngongoi 2024
9.30a.m.-2.30p.m.
Rāhina 15 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rātū 16 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāapa 17 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāpare 18 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāmere 19 Hōngongoi 2024
9.30a.m.-4.30p.m.
Rāhoroi 20 Hōngongoi 2024
9.30a.m.-2.30p.m.
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Ngā Uri o te Repo refers to Ngāti Hako of Hauraki, the iwi that artist Ashleigh Taupaki descends from, and the nonhumans who share space with tangata whenua within the Hauraki wetlands.
Guided by the text Hei Koha Tū, Hei Kura Huna a Papa, which explores the whakapapa of minerals in relation to a Ngāti Hako worldview, Taupaki uses stone installation to focus on the nonhuman descendants of the wetlands, and their many connections to the Hako lineage.